Want To Know More?
Berger, Harry. ‘Fictions of the Pose: Facing the Gaze of Early Modern Portraiture.’ Representations, no. 46, 1994, pp. 87–120. JSTOR, www.jstor.org/stable/2928780.
Campbell, Lorne. Renaissance Portraits: European Portrait-Painting in the 14th, 15th, and 16th Centuries. New Haven, CT: Yale University Press, 1990.
Cox-Rearick, Janet. ‘Bronzino's Young Woman with Her Little Boy.’ Studies in the History of Art, vol. 12, 1982, pp. 67–79. JSTOR, www.jstor.org/stable/42617950.
Cox-Rearick, Janet and Mary Westerman Bulgarella. ‘Public and Private Portraits of Cosimo de’Medici and Eleonora di Toledo: Bronzino’s Paintings of his Ducal Patrons in Ottawa and Turin.’ Artibus et Historiae, vol. 25, no. 49, 2004, pp. 101-159. JSTOR, www.jstor.org/stable/1483750.
Cox-Rearick, Janet and Mary Westerman Bulgarella. ‘Style and Dress: An Interdisciplinary Study of the Female Portraits by Agnolo Bronzino.’ Agnolo Bronzino: Medici Court Artist in Context. Edited by Andrea M. Gáldy. Newcastle upon Tyne: Cambridge Scholars Printing, 2013.
Cropper, Elizabeth. "The Beauty of Women: Problems in the Rhetoric of Renaissance Portraiture," in Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe, ed. M. W. Ferguson, M. Quilligan, and N. J. Vickers (Chicago and London: 1986), pp. 175-176.
Currie, Elizabeth. Fashion and Masculinity in Renaissance Florence. London: Bloomsbury Academic, 2016.
Duits, Rembrandt. Gold Brocade and Renaissance Painting: A Study in Material Culture. London: Pindar Press, 2008.
Eisenbichler, Konrad. The Cultural World of Eleonora di Toledo. Aldershot: Ashgate Publishing Limited, 2004.
Fashioning the Early Modern: Dress, Textiles, and Innovation in Europe, 1500-1800. Edited by Evelyn Welch. Oxford: Oxford University Press, 2017.
Five Centuries of Italian Textiles: 1300-1800. Cassa di Risparmi e Depositi di Prato, 1981.
Frick, Caroline Collier. Dressing Renaissance Florence: Families, Fortunes & Fine Clothing. Baltimore; London: Johns Hopkins University Press, 2002.
Gáldy, Andrea M. ‘Identity and Likeness: Bronzino’s Medici Portraits.’ Agnolo Bronzino: Medici Court Artist in Context. Edited by Andrea M. Gáldy. Newcastle upon Tyne: Cambridge Scholars Printing, 2013.
Geronimus, Dennis. Piero di Cosimo: Visions Beautiful and Strange. New Haven: London: Yale University Press, 2006.
Groebner, Valentin. Who Are You?: Identification, Deception, and Surveillance in Early Modern Europe. Translated by Mark Kyburz and John Peck. New York: Zone Books, 2007.
Hollander, Anne. Fabric of Vision: Dress and Drapery in Painting. London: National Gallery Company Limited, 2002.
Kirkham, Victoria. ‘Creative Partners: The Marriage of Laura Battiferra and Bartolomeo Ammannati.’ Renaissance Quarterly, vol. 55, no. 2, 2002, pp. 498–558. JSTOR, www.jstor.org/stable/1262317.
Landini, Roberta Orsi and Niccoli, Bruna. Moda a Firenze 1540-1580: Lo stile di Eleonora di Toledo e la sua influenza. Firenze: Pagliai Polistampa, 2005.
Langdon, Gabrielle. ‘A “Laura” for Cosimo: Bronzino’s Eleonora di Toledo with her Son Giovanni’. in The Cultural World of Eleonora di Toledo: Duchess of Florence and Siena, ed. Konrad Eisenbichler, 207-22. Aldershot: Ashgate, 2004.
Lorenzo Lotto Portraits. London: Thames & Hudson, 2018.
Lurie, Ann Tzeutschler. ‘Agnolo Bronzino: Portrait of a Young Lady.’ The Bulletin of the Cleveland Museum of Art, vol. 61, no. 1, 1974, pp. 2–13. JSTOR, www.jstor.org/stable/25152508.
Maniera: Pontormo, Bronzino and Medici Florence. Edited by Bastian Eclercy. Munich; London: Prestel, 2016.
Monnas, Lisa. Merchants, Princes, and Painters: Silk Fabrics in Italian and Northern Paintings, 1300-1500. New Haven; London: Yale University Press, 2008.
Nelson, Jonathan. ‘Creative Patronage: Luca Martini and the Renaissance Portrait.’ Mitteilungen Des Kunsthistorischen Institutes in Florenz, vol. 39, no. 2/3, 1995, pp. 282–305. JSTOR, www.jstor.org/stable/27654404.
Plazzotta, Carol. ‘Bronzino's Laura.’ The Burlington Magazine, vol. 140, no. 1141, 1998, pp. 251–263. JSTOR, www.jstor.org/stable/887860.
Poli, Doretta Davanzo. ‘Fashion in Lotto’s Paintings and Documents.’ Lorenzo Lotto Portraits. London: Thames & Hudson, 2018.
The Renaissance Portrait: from Donatello to Bellini. New York: Metropolitan Museum of Art; New Haven [Conn.]; London: Distributed by Yale University Press, 2011.
Simons, Patricia. “Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture.” History Workshop, no. 25, 1988, pp. 4–30. JSTOR, www.jstor.org/stable/4288817.
Smith, Graham. ‘Bronzino’s “Portrait of Laura Battiferri.”’ Source: Notes in the History of Art, vol. 15, no. 4, 1996, pp. 30–38. JSTOR, www.jstor.org/stable/23204908.
Strehlke, Carl Brandon. Pontormo, Bronzino, and the Medici: The Transformation of the Renaissance Portrait in Florence. Philadelphia: Philadelphia Museum of Art in association with the Pennsylvania State University Press, 2004.
Tazartes, Maurizia. Bronzino. Milano: Rizzoli/Skira, 2003.
Vicary, Grace Q. ‘Visual Art as Social Data: The Renaissance Codpiece.’ Cultural Anthropology, vol. 4, no. 1, 1989, pp. 3–25. JSTOR, www.jstor.org/stable/656404.